Kawase Hasui – Ukishima, Yanaginawa

$4,800.00

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Additional information

Artist

Hasui, Kawase

Condition

(A) Very Fine Condition

Date

1910s-1930s

Edition

First Edition, Early Edition

Movement

Shin-hanga

Publisher

Watanabe Shozaburo

Size

Oban (10"x15")

Subjects

Landscape, River / Lake / Ocean, Sunrise / Sunset

A bit of an odd-ball print by Kawase Hasui, this is an image of the town/city of Shimada, a stop on the Tokaido. While the first edition was pre-war, the few copies of this print that surface are mostly lifetime edition 6mm, but even those are rare. Unlike most of Hasui’s prints, this one doesn’t seem to have a person represented within the image, instead being a simple image of a quiet town at sunset. Perhaps that’s a person in the center of the image with a lamp?.. but that could also be a shrubbery. Regardless, the sleepiness of the town and that gorgeous glowing sunset still evoke those moments of quiet and solitude.

The Woodblock Print

This oban-sized woodblock is in very fine condition and pre-war first edition with the Watanabe D seal (1931-1941). Clean margins and a clean verso, “Made in Japan” stamped on the verso. Very lightly sun-struck at the edges of the image.

About the Artist

Kawase Hasui (川瀬巴水, May 18 1883 – November 7 1957) was a prominent Japanese printmaker known for his striking depictions of Japanese landscapes. Born in Tokyo, Hasui showed an early aptitude for art and began studying at the Tokyo School of Fine Arts at the age of 19. It was during this time that he became interested in printmaking, particularly the traditional Japanese woodblock printing techniques that he would later become known for.

Hasui’s prints captured the beauty and tranquility of Japanese landscapes, often featuring snow-covered mountains, serene lakes, and peaceful villages. His early works were influenced by the ukiyo-e tradition of Japanese woodblock printing, but Hasui’s style soon evolved to become more realistic and impressionistic. He used a delicate color palette and a careful attention to detail to create prints that were both beautiful and evocative.

Hasui’s reputation as a master printmaker grew throughout the 1920s and 1930s, and his works were widely exhibited and collected both in Japan and abroad. He was particularly popular in the United States, where his prints were eagerly collected by American art lovers and helped to fuel a craze for Japanese art and design in the early 20th century.

During World War II, Hasui’s career was temporarily interrupted, as the Japanese government restricted the production of non-military artwork. However, after the war, he resumed his work as a printmaker, creating some of his most iconic works during this period, such as “Kegon Falls at Nikko” (1949) and “Evening Snow at Kanbara” (1951).

Hasui’s prints continue to be highly valued by collectors and art enthusiasts around the world. His works are celebrated for their exquisite beauty, technical mastery, and powerful evocation of the Japanese landscape. As art historian Kendall Brown notes, “Hasui was one of the great masters of Japanese landscape printmaking, and his works are among the most beautiful and evocative examples of the genre.

Sources:

  • Brown, Kendall H. Kawase Hasui: The Complete Woodblock Prints. Amsterdam: Hotei Publishing, 2003.
  • Merritt, Helen. Modern Japanese Woodblock Prints: The Early Years. University of Hawaii Press, 1990.
  • Smith, Lawrence. Modern Japanese Prints: 1912-1989. British Museum Press, 1994.
  • “Kawase Hasui.” The Complete Works of Kawase Hasui, vol. 1, Unsodo, 1979.
  • “Kawase Hasui.” Encyclopædia Britannica. Encyclopædia Britannica, Inc., n.d. Web. 09 May 2023.
  • “Kawase Hasui.” National Diet Library. Web. 09 May 2023.

The majority of Hasui prints are with Watanabe, but he also produced with Kawaguchi/Sakai and Doi Publishing.

Notes when buying: Hasui woodblocks were printed and reprinted both during his lifetime and post-mortem. When evaluating a Hasui woodblock, it is important to look carefully at the publisher seal, which will give a rough approximation for when the print in question was published, which can then be compared to when that print was originally published. Learn more about recognizing Watanabe-published editions here.