Shiro Kasamatsu – Moss and Maple, Strewn Colours

$2,600.00

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Additional information

Artist

Kasamatsu, Shiro

Condition

(A+) Excellent Condition

Date

1960s-1970s

Edition

Limited

Movement

Sosaku hanga

Publisher

Self published

Size

Oban (10"x15")

Subjects

Birds / Beasts, Landscape, Plants & Flowers

This amazing print, “strewn colors”, is another rarity that we’ve only seen a handful of times, yet not nearly with this incredible color. A top-down view of vibrant maple leaves scattered on a path of paving stones in moss, a charming bird observes us quietly while we’re being dazzled with the brilliance. Bears similarities to this print by Sekino Jun’ichirō from around the same period.

Designed and self-published by the artist, Shiro Kasamatsu was one of only a handful of artists that were successful as both Shin-Hanga and Sōsaku-Hanga artists. Published in 1963 this is a limited edition, but considered an artist’s proof as there aren’t any edition numbers on the print. Stamped and sealed. Self -published print, dated “1963”. Japanese title “Strewn Colours”. Extremely rare and sought-after self-published print.

The Woodblock Print

This woodblock is in excellent condition, with rich, strong color throughout the woodblock. A clean verso, intact margins, deckled edges.

About the Artist

Shiro Kasamatsu (笠松 紫浪, 1898-1991) was a Japanese engraver and print maker trained and excelled in the Shin-Hanga and Sōsaku-Hanga styles of woodblock printing.

Shiro was born in Tokyo in 1898, and was apprenticed at the age of 13 to Kaburagi Kiyokata (1878–1973), a traditional master of bijin-ga. Kasamatsu however took an interest in landscape and was given the pseudonym “Shiro” by his teacher. Kasamatsu made woodblock prints for the publisher Shōzaburō Watanabe from 1919 until the late 1940s. All of the earlier woodblocks were destroyed in a fire in Watanabe’s print shop following the Great Kanto Earthquake of 1923. Around 50 prints were published by Watanabe by the late 1940s. Kasamatsu began to partner with Unsodo in Kyoto from the 1950s and produced nearly 102 prints by 1960. He also began to print and publish on his own in the Sōsaku-Hanga style, producing nearly 80 Sōsaku-Hanga prints between 1955 and 1965 (pencil signed and numbered editions).

Shiro Kasamatsu is unique within modern Japanese woodblock printmakers in that he is equally well-regarded for both his shin-hanga and sosaku-hanga prints.