Itō Takashi – Snowstorm At Naganobori Slope At Mount Hakkoda

$1,500.00

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Additional information

Artist

Takashi, Ito

Condition

(A) Very Fine Condition

Date

1940s-1950s

Edition

Lifetime

Movement

Shin-hanga

Publisher

Watanabe Shozaburo

Size

Oban (10"x15")

Subjects

Landscape, People, Snow

A rarely seen woodblock by Ito Takashi, travelers struggle up the slop of Mount Hakkoda along a road in a snowstorm, people and horses pulling sleds weighed down with luggage.

The Woodblock Print

This oban-sized woodblock is in very fine condition; lovely color, detail, and contrasts. Clean and intact margins, clean verso. A visible matburn discoloration line along the right edge of the image. A 6mm Watanabe publisher seal in the lower left corner of the image.

About the Artist

Ito Takashi (伊藤孝之, 1894-1982) was born in Hamamatsu in Shizuoka Prefecture, studied art at the Tokyo School of Fine Arts, and was a student at the private school of Kiyokata Kaburagi. Kaburagi was the master of nihonga painting in traditional Japanese style. Kaburagi knew the publisher Watanabe Shozaburo well and his painting class developed into something like a “talent pool” for Watanabe who was looking for excellent young artists who wanted to work for him.

Takashi became one of the artists working for Watanabe. He made about 50 landscape prints for the publisher in the 1920s (with the first in 1922) and the 1930s and also after the war. Watanabe considered Takashi Ito as one of his “upper league” designers like Kawase Hasui or Ito Shinsui; their works were mostly published in Oban or larger formats.

The landscape prints by Takashi are reminiscent of German 19th century paintings and prints, full of lonely romanticism. Like Kawase Hasui, also Ito Takashi shows seldom more than one person in his designs, creating an eerie and sentimental mood when contemplating a Takashi print. The style in which Takashi Ito prints were created looks more like brush stroke paintings than typical Japanese woodblock prints with a lot of color gradation instead of plain even color areas that are so typical for classical Japanese ukiyo-e – it required highly skilled carvers and printers to produce Takashi Ito prints. An incomplete list of his work found here.