Helen Hyde – A Spring Poem

$1,300.00

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MLS2024010

Additional information

Artist

Hyde, Helen

Condition

(A+) Excellent Condition

Date

1880s-1900s

Edition

First Edition, Lifetime, Limited, Numbered

Movement

Shin-hanga

Publisher

Self published

Size

Shikishiban (8"x9")

Subjects

People

Listed in the catalog “Helen Hyde, American Printmakers, A Smithsonian Series” as #71 “A Spring Poem” (1906), this etching by Helen Hyde seems to be exceedingly rare; the only copy we can find resides at the Smithsonian Museum. Pencil signed and pencil numbered #27, printed on the thin paper that she seemed to have gravitated towards.

The Woodblock Print

This shikishiban (image is 8″x8.5″) is in very fine condition, especially considering the delicate nature of the printing and paper. Lovely watercolor-like wash of colors on a very detailed etching. Full and untrimmed margins, a mostly clean verso. We have not removed the tape remnants due to the delicate paper. Some waviness to the paper and very faint toning.

About the Artist

Helen Hyde (1868-1919) was an American artist known for her significant contributions to the field of woodblock printmaking. Born in California, Hyde began her artistic journey as a painter before discovering her passion for printmaking during a trip to Japan in 1899. Influenced by the ukiyo-e tradition and Japanese woodblock printing techniques, Hyde developed her own unique style that blended elements of Western and Japanese aesthetics (Czestochowski, 1990).

One notable influence on Hyde’s art was the renowned Japanese printmaker Kobayashi Kiyochika. His use of dramatic light and shadow and his ability to capture the essence of urban landscapes greatly impacted Hyde’s approach to printmaking. She incorporated similar techniques into her own works, resulting in prints that showcased a delicate balance between Western realism and Japanese design (Hartman, 2012).

Hyde’s art was characterized by her keen observation of daily life, particularly in Japan and later in California. She often depicted scenes of women engaged in everyday activities, children at play, and natural landscapes. Her prints were known for their vibrant colors, intricate details, and a sense of grace and serenity (Czestochowski, 1990).

In addition to her artistic achievements, Hyde played a pivotal role in promoting the art of woodblock printmaking. She taught the technique to numerous students, some of whom went on to become notable printmakers themselves. Notable students of Hyde include Bertha Lum and Marguerite Kirmse, who carried forward her teachings and contributed to the growth of the medium (Oberbauer, 2000).

One unique characteristic of Hyde’s art was her commitment to cultural exchange and understanding. She strived to bridge the gap between East and West through her art, often depicting scenes that celebrated the beauty and customs of both Japan and California. Hyde’s prints played a significant role in introducing Japanese woodblock printmaking techniques to Western audiences and fostering appreciation for the art form (Hartman, 2012).

Hyde’s prints gained recognition both in the United States and internationally. She participated in major exhibitions and received awards for her art. Hyde’s dedication to her craft and her ability to blend cultural influences made her a respected and influential figure in the field of woodblock printmaking (Oberbauer, 2000).

References:

  • Czestochowski, J. S. (1990). Helen Hyde and the Rise of Japanese Print Collecting in America. The Print Collector’s Newsletter, 21(6), 201-204.
  • Hartman, C. (2012). Women Artists of the American West. McFarland.
  • Oberbauer, B. (2000). Helen Hyde, a California Impressionist in Japan. Fine Print, 26(3), 98-101.