Helen Hyde – From The Rice Fields

Out of stock


Additional information


Hyde, Helen


(A+) Excellent Condition




First Edition, Lifetime, Limited, Numbered




Self published


Ebankiri (7.5"x20.25")


People, Women / Geisha

From the Rice Fields, circa 1901, pencil signed and numbed 165. This charming tanzaku (pillar print) is printed on exceptionally fine, tissue-thin paper; we have one scan with a white paper behind it, and then the other two scans with the scanner’s black background so you can see the translucency.

The Woodblock Print

This large tanzaku is in excellent condition, especially considering the delicate nature of the printing and paper. Beautiful colors. Full and untrimmed margins, but with small cutouts in the edges of the margins, likely from where it was adhered to frame (remnants are on the edges of the margins as seen). We have not removed the tape remnants due to the delicate paper. The paper size of this image is approximately 22″x7″ with an image size of 21.25″x4.5″.

About the Artist

Helen Hyde (1868-1919) was an American artist known for her significant contributions to the field of woodblock printmaking. Born in California, Hyde began her artistic journey as a painter before discovering her passion for printmaking during a trip to Japan in 1899. Influenced by the ukiyo-e tradition and Japanese woodblock printing techniques, Hyde developed her own unique style that blended elements of Western and Japanese aesthetics (Czestochowski, 1990).

One notable influence on Hyde’s art was the renowned Japanese printmaker Kobayashi Kiyochika. His use of dramatic light and shadow and his ability to capture the essence of urban landscapes greatly impacted Hyde’s approach to printmaking. She incorporated similar techniques into her own works, resulting in prints that showcased a delicate balance between Western realism and Japanese design (Hartman, 2012).

Hyde’s art was characterized by her keen observation of daily life, particularly in Japan and later in California. She often depicted scenes of women engaged in everyday activities, children at play, and natural landscapes. Her prints were known for their vibrant colors, intricate details, and a sense of grace and serenity (Czestochowski, 1990).

In addition to her artistic achievements, Hyde played a pivotal role in promoting the art of woodblock printmaking. She taught the technique to numerous students, some of whom went on to become notable printmakers themselves. Notable students of Hyde include Bertha Lum and Marguerite Kirmse, who carried forward her teachings and contributed to the growth of the medium (Oberbauer, 2000).

One unique characteristic of Hyde’s art was her commitment to cultural exchange and understanding. She strived to bridge the gap between East and West through her art, often depicting scenes that celebrated the beauty and customs of both Japan and California. Hyde’s prints played a significant role in introducing Japanese woodblock printmaking techniques to Western audiences and fostering appreciation for the art form (Hartman, 2012).

Hyde’s prints gained recognition both in the United States and internationally. She participated in major exhibitions and received awards for her art. Hyde’s dedication to her craft and her ability to blend cultural influences made her a respected and influential figure in the field of woodblock printmaking (Oberbauer, 2000).


  • Czestochowski, J. S. (1990). Helen Hyde and the Rise of Japanese Print Collecting in America. The Print Collector’s Newsletter, 21(6), 201-204.
  • Hartman, C. (2012). Women Artists of the American West. McFarland.
  • Oberbauer, B. (2000). Helen Hyde, a California Impressionist in Japan. Fine Print, 26(3), 98-101.