Printed between 1845 and 1846, this series is based upon the traditions and historical characters associated with the Stations of the Tokaido by Hiroshige, Kunisada (signed Toyokuni) and Kuniyoshi. Otherwise known as “53 Parallels for the Tokaido Road”. You can see the complete series here.
This is print #10 in the series, “Odawara: Minamoto Yoritomo and Hōjō Masako”.
The Woodblock Print
A lovely oban print in very fine condition with strong colors throughout, a clean verso, and untrimmed. There is a centerline crease running horizontally, but not particularly visible from the front. No structural issues.
About the Artist
Utagawa Kuniyoshi (歌川 国芳, January 1, 1798 – April 14, 1861) was a Japanese artist who was active during the Edo period, from the late 18th to mid-19th century. He was born in 1797 in Edo, which is now Tokyo, and was the son of a silk-dyer. Kuniyoshi was known for his bold and dynamic ukiyo-e prints, which depicted a wide range of subjects, including historical scenes, kabuki actors, and mythical creatures.
Kuniyoshi began his artistic training as an apprentice in a print shop, where he learned to design and carve woodblocks. He later studied under the ukiyo-e artist Utagawa Toyokuni, who was a prominent figure in the Edo period. Kuniyoshi developed his own distinctive style, which was characterized by bold lines, vibrant colors, and exaggerated forms.
Kuniyoshi’s prints were highly popular during his lifetime, and he was considered one of the leading artists of the Edo period. His depictions of kabuki actors, in particular, were highly sought after by collectors, as they captured the essence of the dramatic performances that were popular in Japan at the time.
One of Kuniyoshi’s most famous series of prints is the “One Hundred and Eight Heroes of the Suikoden,” which depicts the exploits of a group of Chinese bandits. The series was highly influential and inspired other artists, including the French Impressionist Edgar Degas. Kuniyoshi also created prints that depicted historical events and legends, which were notable for their vivid colors and dynamic compositions.
Despite his success as an artist, Kuniyoshi faced challenges in his personal life. He was accused of producing prints that were critical of the shogunate, which led to him being placed under surveillance by the government. He was also deeply affected by the death of his son, which led to a decline in his health and artistic output.
Kuniyoshi died in 1861 at the age of 63, but his legacy lives on. His prints continue to be highly regarded for their technical skill and artistic merit, and they are housed in major art institutions around the world, including the Metropolitan Museum of Art in New York and the British Museum in London.