The Legend of Princess Tamatori (Tamatorihime), or Ama, is based around the historical figure Fujiwara no Kamatari (614-649), who was the founder of the powerful Fujiwara clan. Upon Kamatari’s death, the Tang Dynasty emperor, who had received Kamatari’s beautiful daughter as a consort, sent three priceless treasures to Japan in order to comfort his grieving lover by honoring her father. One of these treasures, a pearl, was stolen by the Dragon King in a storm on its way to Japan in the inlet of Fusazaki.
Kamatari’s son Fujiwara no Fuhito (659-720) went in search of the pearl to the isolated area where he met and married a beautiful pearl diver named Ama, who bore him a son. Ama, full of love for their son, vowed to help recover the stolen pearl. After many failed attempts, Ama was finally successful when the dragon and grotesque creatures guarding it were lulled to sleep by music. Upon reclaiming the treasure, she came under pursuit by the awakened sea creatures. She cut open her breast to place the pearl in for safekeeping; the resulting blood clouded the water and aided in her escape. She died from the resulting wound but is revered for her selfless act of sacrifice for her husband Fuhito and their son.
The Woodblock Print
An absolutely fantastic woodblock print and one of Kuniyoshi’s masterpieces. This print is very rare; an 1843 original is impossible to find outside of a museum and even Showa era reprints such as this (from recarved woodblocks) are extremely rare.
This print has incredibly rich color, even across the entire print. Margins fully intact, a clear verso. A few small areas of residue from being tipped. All in all an almost perfect example of this print with only very minor flaws.
About the Artist
Utagawa Kuniyoshi (歌川 国芳, January 1, 1798 – April 14, 1861) was a Japanese artist who was active during the Edo period, from the late 18th to mid-19th century. He was born in 1797 in Edo, which is now Tokyo, and was the son of a silk-dyer. Kuniyoshi was known for his bold and dynamic ukiyo-e prints, which depicted a wide range of subjects, including historical scenes, kabuki actors, and mythical creatures.
Kuniyoshi began his artistic training as an apprentice in a print shop, where he learned to design and carve woodblocks. He later studied under the ukiyo-e artist Utagawa Toyokuni, who was a prominent figure in the Edo period. Kuniyoshi developed his own distinctive style, which was characterized by bold lines, vibrant colors, and exaggerated forms.
Kuniyoshi’s prints were highly popular during his lifetime, and he was considered one of the leading artists of the Edo period. His depictions of kabuki actors, in particular, were highly sought after by collectors, as they captured the essence of the dramatic performances that were popular in Japan at the time.
One of Kuniyoshi’s most famous series of prints is the “One Hundred and Eight Heroes of the Suikoden,” which depicts the exploits of a group of Chinese bandits. The series was highly influential and inspired other artists, including the French Impressionist Edgar Degas. Kuniyoshi also created prints that depicted historical events and legends, which were notable for their vivid colors and dynamic compositions.
Despite his success as an artist, Kuniyoshi faced challenges in his personal life. He was accused of producing prints that were critical of the shogunate, which led to him being placed under surveillance by the government. He was also deeply affected by the death of his son, which led to a decline in his health and artistic output.
Kuniyoshi died in 1861 at the age of 63, but his legacy lives on. His prints continue to be highly regarded for their technical skill and artistic merit, and they are housed in major art institutions around the world, including the Metropolitan Museum of Art in New York and the British Museum in London.
Sources:
- “Utagawa Kuniyoshi,” The Art Institute of Chicago
- “Utagawa Kuniyoshi,” National Gallery of Art
- “Utagawa Kuniyoshi,” Encyclopædia Britannica
- “Utagawa Kuniyoshi,” The Metropolitan Museum of Art
