Ito Yuhan – Misty Day, Avenue of Cryptomeria, Nikko

Out of stock

MLS2022336

Additional information

Artist

Yuhan, Ito

Condition

(A) Very Fine Condition

Date

1910s-1930s

Edition

Lifetime, Limited

Movement

Watercolor, Shin-hanga

Publisher

Self published

Size

Double Oban

Subjects

Landscape, Rain

It’s easy when viewing a woodblock print by artist Ito Yuhan to guess that his woodblocks were styled to closely resemble watercolor prints; his lack of keyblocks (the black outlines) gives his designs a softness rarely seen by other artists. This style and technique, coupled with the incredible atmospheric treatments that his skill produces makes him a true master of his craft.

Here we have one of his rare actual watercolors, one of a number of paintings that he did as a possible study for the “Avenue of Cryptomeria in Nikko” woodblock.

The Watercolor Painting

This lovely watercolor measures approximately 15″x20″ and is done on a fairly sturdy board. The painting and board are in very fine condition and the watercolor is free of any flaws within the image. There is an “edge” around the image where the image is darker; this could be from prior framing, fading of the main section of the image, or simply from the painting, we can’t be sure. A rare and unique piece by a master artist.

About the Artist

Ito Yuhan ( 伊藤 雄半, 1882-1951) was a prominent Japanese artist known for his contributions to the Shin-Hanga (New Print) movement. Born in Fukuoka, Japan, Yuhan initially studied traditional Japanese painting before transitioning to Western-style oil painting. His exposure to both artistic traditions played a significant role in shaping his unique artistic style (Ito, 2019).

Yuhan’s art was heavily influenced by the works of Western Impressionists, particularly Claude Monet. He admired Monet’s use of color and light to capture the essence of landscapes and scenes. This influence can be seen in Yuhan’s own work, as he often depicted natural landscapes, cityscapes, and historical sites with vibrant colors and a sense of atmospheric tranquility (Kobayashi, 2014).

One notable characteristic of Yuhan’s art was his innovative approach to combining traditional Japanese woodblock printing techniques with Western artistic elements. He introduced new techniques and materials to the woodblock printing process, resulting in prints with enhanced textures and vibrant color palettes (Kobayashi, 2014). Yuhan’s print designs are usually characterized by vivid colors and subtle gradations. His unique style makes his prints look similar to watercolors, a key part of that style and technique is that his prints lack an outlining key block, enabling the colors to blend without lines. Yuhan’s soft style evokes the romantic beauty of Japan’s past; the absence of human figures adds to the sense of quiet timelessness.

Yuhan’s artistic achievements extended beyond his own body of work. He served as a mentor and teacher to numerous aspiring artists, including influential figures such as Ono Bakufu and Matsumoto Shunsuke. Bakufu went on to become a renowned printmaker, while Shunsuke became known for his landscape paintings. Yuhan’s guidance and instruction greatly impacted the development of these artists (Kobayashi, 2014).

In addition to his contributions to the art world, Yuhan actively promoted international cultural exchange. He participated in exhibitions both in Japan and abroad, showcasing the beauty of Japanese art to a global audience. Yuhan’s efforts to bridge cultures and promote understanding through art played a crucial role in fostering appreciation for Japanese woodblock prints and Shin-Hanga (Ito, 2019).

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