A white cat is seen stalking across a dark farm field against the edge of a treeline, the silhouettes of the trees against the twilight sky.
Designed and self-published by the artist, Shiro Kasamatsu was one of only a handful of artists that were successful as both Shin-Hanga and Sōsaku-Hanga artists. Published in 1956, this is a limited edition numbered in pencil B 12/30. Stamped and sealed.
Self -published print, dated “1956”. Red seal at the lower-right corner of the image. Red tiny square seal “Shiro Hanga”, edition number “B 12/30” on the lower right margin corner. An embossed seal “紫” (Shi from Shiro) on the lower right margin. Extremely rare and early self-published print in an exceptionally small edition of 30 (typically 200 or 300).
The Woodblock Print
This woodblock is in fine condition; clean margins and a clean verso, good color and impression. There is a very very faint mat burn discoloration about 0.5cm inside the image edge, but only visible at very close inspection.
About the Artist
Shiro Kasamatsu (笠松 紫浪, 1898-1991) was a Japanese engraver and print maker trained and excelling in the Shin-Hanga and Sōsaku-Hanga styles of woodblock printing.
Shiro was born in Tokyo in 1898, and was apprenticed at the age of 13 to Kaburagi Kiyokata (1878–1973), a traditional master of bijin-ga. Kasamatsu however took an interest in landscape and was given the pseudonym “Shiro” by his teacher. Kasamatsu made woodblock prints for the publisher Shōzaburō Watanabe from 1919 until the late 1940s. All of the earlier woodblocks were destroyed in a fire in Watanabe’s print shop following the Great Kanto Earthquake of 1923. Around 50 prints were published by Watanabe by the late 1940s. Kasamatsu began to partner with Unsodo in Kyoto from the 1950s and produced nearly 102 prints by 1960. He also began to print and publish on his own in the Sōsaku-Hanga style, producing nearly 80 Sōsaku-Hanga prints between 1955 and 1965 (pencil signed and numbered editions).
Shiro Kasamatsu is unique within modern Japanese woodblock printmakers in that he is equally well-regarded for both his shin-hanga and sosaku-hanga prints.