Kason Suzuki – Kominato Harbor

$600.00

In stock

Add to Wishlist
Add to Wishlist
MLS2022097

Additional information

Artist

Suzuki, Kason

Condition

(A+) Excellent Condition

Date

1910s-1930s

Movement

Shin-hanga

Publisher

Nishinomiya

Size

Oban (10"x15")

Subjects

Boats, Landscape, Night, Sunrise / Sunset

The sun has set below the horizon, darkness is here and boats are returning or have returned to the harbor. Lights are lit in the holds of the ships and some of the buildings in the wharf, many reflecting on the surface of the water. A faint glow in the sky is the last light of the day, with the sky a faint blue tone.

While most of Kason Suzuki’s prints are vignettes of people, this particular piece stands alone and might seem to be from Shoda Koho or Arai Yoshimune. Rich colors, bakashi shading, exquisite detail in the evening landscape, it’s hard to see how this oban is from Suzuki.

The Woodblock Print

This woodblock print is in excellent condition. No flaws, rich color, no fading, clean verso, full margins.

The Artist

Kason Suzuki (鈴木華邨, January 24, 1860 – January 3, 1919) was a prominent Japanese woodblock printer known for his masterful technique and unique style. Born in Tokyo, Suzuki began his artistic training as a student at the Tokyo School of Fine Arts. After graduating, he studied woodblock printing under the tutelage of the celebrated artist and master printer Un’ichi Hiratsuka.

Suzuki’s style is characterized by its delicate lines, intricate details, and rich colors. His prints often depict scenes from Japanese folklore and mythology, as well as landscapes and nature. He was particularly known for his use of the “bokashi” technique, which involves creating subtle gradations of color by using a special tool to apply ink to the woodblock.

One of Suzuki’s most famous works is his series of prints depicting the “Tales of Ise,” a collection of classical Japanese poetry. The series features elegant depictions of natural scenes and landscapes, rendered with the artist’s signature attention to detail and use of color.

Suzuki’s work earned him international recognition, and he exhibited his prints in galleries and museums around the world. He was awarded numerous prizes and honors, including the prestigious Order of the Sacred Treasure from the Japanese government.

In addition to his work as an artist, Suzuki was also a dedicated teacher. He taught at several art schools and institutions throughout his career, including the Tokyo School of Fine Arts and the Japan Print Association. Many of his students went on to become prominent woodblock printers in their own right; Ohara Koson (1877-1945), a famous woodblock printmaker, was one of his students.

Sources:

  • “Kason Suzuki: Master Printmaker” by Naoko Takahatake, Los Angeles County Museum of Art (2018)
  • “The Art of Kason Suzuki” by Richard Lane, Asian Art Museum of San Francisco (1984)
  • “Japanese Woodblock Prints: Artists, Publishers and Masterworks 1680-1900” by Andreas Marks, Tuttle Publishing (2010)