Utagawa Kuniyoshi – 79, sakyō no daibu Akisuke, from The Hundred Poets Compared

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Additional information

Artist

Kuniyoshi, Utagawa

Condition

(B) Fine Condition, (C) Fair Condition

Date

1840s-1860s

Movement

Ukiyo-e

Publisher

Ibaya Senzaburô (Dansendô)

Size

Aiban (9″x13″)

Subjects

Actor, Story

Each print compares one of the poems from the most-beloved collection of Japanese poetry, “The One Hundred Poets, One Poem Each”, with a scene from Japanese history or theatre. Begun during the repressive Tenpō Reforms (printed in 1847), the series includes many portraits of popular actors.

The poet for this scene is Fujiwara no Akisuke (藤原顕輔, 1090–1155) was a waka poet and Japanese nobleman active in the Heian period, and the scene is Ume no Yoshibei reading letter, Chōkichi and Genbeibori Gengobei, from the play Suda no haru geisha katagi, with the actor Sawamura Sōjūrī III.

See how clear and bright
Is the moonlight finding ways
Through the riven clouds
That, with drifting autumn wind,
Gracefully float in the sky.

The Woodblock Print

This aiban-sized woodblock is in fair condition; good condition compared to others we’ve seen from the series. The print is backed to thicker paper, as the original sheath was on incredibly thin paper. The right corner has worn away, and there is overall light soiling and toning throughout. The color is still strong. The print has its top and left margins intact which is somewhat rare.

About the Artist

Utagawa Kuniyoshi (歌川 国芳, January 1, 1798 – April 14, 1861) was a Japanese artist who was active during the Edo period, from the late 18th to mid-19th century. He was born in 1797 in Edo, which is now Tokyo, and was the son of a silk-dyer. Kuniyoshi was known for his bold and dynamic ukiyo-e prints, which depicted a wide range of subjects, including historical scenes, kabuki actors, and mythical creatures.

Kuniyoshi began his artistic training as an apprentice in a print shop, where he learned to design and carve woodblocks. He later studied under the ukiyo-e artist Utagawa Toyokuni, who was a prominent figure in the Edo period. Kuniyoshi developed his own distinctive style, which was characterized by bold lines, vibrant colors, and exaggerated forms.

Kuniyoshi’s prints were highly popular during his lifetime, and he was considered one of the leading artists of the Edo period. His depictions of kabuki actors, in particular, were highly sought after by collectors, as they captured the essence of the dramatic performances that were popular in Japan at the time.

One of Kuniyoshi’s most famous series of prints is the “One Hundred and Eight Heroes of the Suikoden,” which depicts the exploits of a group of Chinese bandits. The series was highly influential and inspired other artists, including the French Impressionist Edgar Degas. Kuniyoshi also created prints that depicted historical events and legends, which were notable for their vivid colors and dynamic compositions.

Despite his success as an artist, Kuniyoshi faced challenges in his personal life. He was accused of producing prints that were critical of the shogunate, which led to him being placed under surveillance by the government. He was also deeply affected by the death of his son, which led to a decline in his health and artistic output.

Kuniyoshi died in 1861 at the age of 63, but his legacy lives on. His prints continue to be highly regarded for their technical skill and artistic merit, and they are housed in major art institutions around the world, including the Metropolitan Museum of Art in New York and the British Museum in London.

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