Ohara Koson – Great Egret in Flight
A beautify print of a great egret in flight above a vast sea of reeds; a rarely seen image of Ohara Koson’s from the early 1920s/30s (not listed in Watanabe’s 1936 Catalogue).
A beautiful print of a great egret in flight above a vast sea of reeds; a rarely seen image of Ohara Koson's from the early 1920s/30s (not listed in Watanabe's 1936 Catalogue).
The Woodblock Print
This print is in overall good visible condition, but it does have some structural issues. In the dark reeds section of the footer, the darkness of the print covers for some wrinkles within the paper that can be felt or seen from the verso, but not seen from the front. There are also some waves and wrinkling in the top section of the sky that are more visible, but don't affect the visual beauty of the print itself. The color is rich without any staining, fading or discolorations. The verso is clean.
About the Artist
Ohara Koson (1877-1945), who also went by the art names of Hoson and Shoson, began his career as the student of Suzuki Koson where he painted plants and animals between 1895-1902 gradually becoming known as a Nihonga painter (a term meaning traditional Japanese vs the increasingly popular Western style) in the Kacho-ga (nature print) genre. Briefly during the Russo-Japanese war Koson produced Senso-e (war prints), but the vast majority of his early prints (1900 -1912) were nature prints designed for the North American and European markets for the publishers Kokkeido and Daikokuya. These prints were all signed "Koson". Between 1912-1926 Koson returned to painting, but using the name Shoson, he continued to design woodblock prints, this time in collaboration with S. Watanabe. Koson also produced prints using the name Hoson which were published by Kawaguchi between 1930-1931.
While the artists' prints had always been sold abroad, Koson's success was cemented as a result of the 1930 and 1936 Toledo Museum exhibitions. More prints by Koson were sold during these shows than any other artists' due to their artistic merit and their relatively inexpensiveness in comparison with of the works of Yoshida, Shinsui, Hasui and others. Koson's career peaked in the mid 1930's. His work is realistic, based mainly on his own sketches and watercolors. It is estimated that he produced more than 450 designs of birds.