Hiroaki Takahashi (Shotei) – Morning Glories

$400.00

In stock

Add to Wishlist
Add to Wishlist

Additional information

Artist

Shotei, Hiroaki Takahashi

Condition

(A) Very Fine Condition

Date

1910s-1930s

Edition

Early Edition

Movement

Shin-hanga

Size

O-hosoban (6.75"x15")

Subjects

Plants & Flowers

This woodblock by Shotei of morning glories is rarely seen; we can only find a handful of auction listings for it over the last decade. Printed in the O-Hosoban size (6.75″x15″), it’s a larger pillar print whose subject of climbing morning glories in pots fits well with the format.

The Woodblock Print

This woodblock is in very good condition; very minor acid discoloration near some of the edges of the image, but otherwise even toning with very little to no discoloration within the image. Solid margins and a clean verso. No observed thinning of the paper. Rich colors.

About the Artist

Born in Tokyo as Katsutaro Takahashi, Hiroaki Takahashi Shotei (aka Shotei/ Komei) was in his mid-teens when he began to work in the design department of the Imperial Household Agency. He studied nihonga, or “Japanese-style painting” under his uncle Fuko Matsumoto, but also worked as an illustrator for periodicals and textbooks. Beginning in the early Taisho period, Hiroaki regularly collaborated with the prominent Shin Hanga publisher Shozaburo Watanabe. Hiroaki used a variety of signatures. Many of his large landscape and bijin-ga are signed “Hiroaki,” while ‘Shotei’ appears on other works. Hiroaki was a productive artist, completing around five hundred designs by the time he was fifty. Unfortunately, much of his work was destroyed by the fire that raged in the aftermath of the Great Kanto earthquake in 1923. Despite this tragedy, Hiroaki continued to work as a printmaker until his death in 1945.

After the earthquake Shotei created another 250 prints mostly depicting scenic Japanese landscapes in the shin hanga style he had helped to define. He continued to work for Watanabe, but also worked with the publishers Fusui Gabo and Shobido Tanaka, where he had more control over the finished print than was possible with Watanabe.Shotei used a variety of names, signatures and seals during his lifetime. From 1907 until 1922 he used the name Shotei, and after 1922 Hiroaki and Komei.