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Fûkei-ga

Fûkei-ga (風景画), or wind scenery painting, is usually now translated as “landscape painting” or pictures of scenery. The term fûkei-ga refers to the depiction of natural landscapes, including mountains, rivers, forests, and seascapes. The genre was popularized by the artist Sesshū Tōyō, who is credited with creating the first true landscape paintings in Japan in the fifteenth century.

The origins of fûkei-ga can be traced back to the 7th century when Japanese artists began to incorporate Chinese techniques into their work. The earliest surviving fûkei-ga paintings date back to the Muromachi period (1336-1573). During this time, the style of fûkei-ga was heavily influenced by Zen Buddhism, which emphasized the importance of nature and simplicity. However, Japanese artists developed their own unique style of fûkei-ga, which often featured bold and dramatic compositions, highly detailed depictions of natural forms, and a focus on the changing seasons and weather patterns. Fûkei-ga often incorporated elements of poetry, calligraphy, and other traditional art forms.

One of the most famous fûkei-ga artists was Hasegawa Tōhaku (1539-1610), who is known for his large-scale ink paintings of pine trees. Tōhaku’s works were heavily influenced by Chinese landscape painting, but he developed his own unique style that emphasized the beauty of nature and the transience of life.

One of the most famous fûkei-ga artists is Hokusai Katsushika, who is best known for his series of prints titled Thirty-Six Views of Mount Fuji. This series, which was created in the early nineteenth century, features a range of landscapes that showcase the beauty and power of Mount Fuji, as well as the surrounding countryside and coastline. The prints were widely popular in Japan and have since become iconic images of the country’s landscape.

Today, fûkei-ga continues to be an important art form in Japan. Many contemporary artists are continuing to explore and develop this traditional genre. Some artists are experimenting with new techniques and materials, while others are exploring new themes and subjects. Fûkei-ga remains an important part of Japanese culture and a testament to the enduring beauty of nature.

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